play shakespeare plays drama hamlet dramatic stage scene king characters action plot character comic theater comedy audience lear elizabethan

0.43 Richard Hosley, Shakespearian Stage Curtains: Then and Now, College English, 1964.
0.39 E. J. West, On a Purely Playful Hypothesis concerning the Composition of "A Midsummer Night's Dream", College English, 1948.
0.37 Samuel Weingarten, The Use of Phonograph Recordings in Teaching Shakespeare, College English, 1939.
0.34 R. W. Babcock, George Lyman Kittredge Olivier and the Historical Hamlet, College English, 1950.
0.32 William R. Bowden, Teaching Structure in Shakespeare: 1 Henry IV Twelfth Night and Hamlet, College English, 1962.
0.30 Alan S. Downer, 1952: Feste's Night, College English, 1960.
0.30 David S. Berkeley, On Oversimplifying Antony, College English, 1955.
0.29 Sanford Sternlicht, Hamlet: Six Characters in Search of a Play, College English, 1966.
0.29 Stephen Merton, "The Tempest" and "Troilus and Cressida", College English, 1945.
0.28 Stephen A. Shapiro, Romeo and Juliet: Reversals Contraries Transformations and Ambivalence, College English, 1964.
0.28 Alan S. Downer, Feste's Night, College English, 1952.
0.28 Harriett Hawkins, What Kind of Pre-contract Had Angelo? A Note on Some Non-problems in Elizabethan Drama, College English, 1974.
0.28 Frank W. Wadsworth, Shakespeare in Action-A Report, College English, 1955.
0.28 Haskell M. Block, Classic Repertory and the American Theatre, College English, 1956.
0.27 Conrad Hilberry, The Tempest: Act IV, College English, 1962.
0.26 Walter Gierasch, Hamlet's Polonius and Shakspere's, College English, 1941.
0.26 Maximillian E. Novak, The Artist and the Clergyman: Congreve Collier and the World of the Play, College English, 1969.
0.26 John C. McCloskey, Hamlet's Quest of Certainty, College English, 1941.
0.26 Lawrence E. Bowling, Duality in the Minor Characters in Antony and Cleopatra, College English, 1957.
0.26 Karl F. Thompson, Troilus and Cressida: The Incomplete Achilles, College English, 1966.
0.26 John C. McCloskey, Caliban Savage Clown, College English, 1940.
0.26 Olive Henneberger, Banquo Loyal Subject, College English, 1946.
0.25 Albert S. Cook, Language and Action in the Drama, College English, 1966.
0.25 Larry S. Champion, The Perspective of Comedy: Shakespeare's the Winter's Tale, College English, 1971.
0.25 James T. Nardin, Modern Criticism and the Closet Drama Approach, College English, 1965.
0.25 Barbara A. Welch, Comment on W B Stone, College English, 1973.
0.25 Charles A. Hallett, A Shakespeare Workshop, College English, 1971.
0.25 Ken Davis William Hutchings, Playing a New Role: The English Professor as Dramaturg, College English, 1984.
0.25 Peter V. Le Page, The Search for Godhead in Marlowe's Tamburlaine, College English, 1965.
0.24 W. L. Halstead, What "War of the Theatres"?, College English, 1948.
0.24 Leo Rockas, On Teaching Shakespeare, College English, 1978.
0.24 Frank S. Hook, Letter to the Editor, College English, 1956.
0.24 Edwin Honig, Jawing of Genesis, College English, 1956.
0.24 David S. Berkeley T. C. Hoepfner, Letters to the Editor, College English, 1957.
0.24 Ronald Watkins, Producing Shakespeare in an Elizabethan Setting, College English, 1949.
0.24 Robert Ornstein, Teaching Hamlet, College English, 1964.
0.24 Wilbur D. Dunkel, The Essence of Shaw's Dramaturgy, College English, 1949.
0.24 Lysander Kemp, Understanding "Hamlet", College English, 1951.
0.23 Morris Eaves, The Real Thing: A Plan for Producing Shakespeare in the Classroom, College English, 1970.
0.23 James Sandoe, The Easiest Way: A Farce, College English, 1946.
0.23 Elizabeth Jackson, The Kittredge Way, College English, 1943.
0.23 M. Maurice Shudofsky, Sarah Bernhardt on Hamlet, College English, 1941.
0.23 Martin Stevens, Illusion and Reality in the Medieval Drama, College English, 1971.
0.23 Kate Davidson, Aspects of a Novel, College English, 1985.
0.23 William R. Mueller, The Class of '50 Reads "Othello", College English, 1948.
0.22 Everett H. Emerson Harold E. Davis Ira Johnson, Intention and Achievement in All for Love, College English, 1955.
0.22 E. Allen Tilley, The Modes of Fiction: A Plot Morphology, College English, 1978.
0.22 Margery Bailey, Shakespeare in Action, College English, 1954.
0.22 Babette May Levy, "The High Bid" and the Forbes-Robertsons, College English, 1947.
0.22 Peter F. Neumeyer, Ingratitude Is Monstrous: An Approach to Coriolanus, College English, 1964.
0.22 Susan McCloskey, Teaching Dramatic Literature, College English, 1984.
0.22 Peggy Ann Knapp, "Stay Illusion" or How to Teach Hamlet, College English, 1974.
0.22 George Soule, Hamlet's Quietus, College English, 1964.
0.22 Elias Schwartz, Twelfth Night and the Meaning of Shakespearean Comedy, College English, 1967.
0.21 Warren Taylor, Lear and the Lost Self, College English, 1964.
0.21 Edward Wagenknecht, The Perfect Revenge-Hamlet's Delay a Reconsideration, College English, 1949.
0.21 Mary Elizabeth Devine Constance M. Clark, The Stanislavski System as a Tool for Teaching Dramatic Literature, College English, 1976.
0.21 Theodore B. Leinwand, Introducing Shakespeare, College English, 2002.
0.21 Perry D. Westbrook, A Note on "Macbeth" Act II Scene 1, College English, 1946.
0.21 B. H. Lehman, Americans See the Oresteia of Aeschylus, College English, 1947.
0.21 Louis Marder, Teaching Shakespeare: Is There a Method?, College English, 1964.
0.21 Karl P. Wentersdorf, Structure and Characterization in Othello and King Lear, College English, 1965.
0.21 Arthur M. Sampley, Theory and Practice in Maxwell Anderson's Poetic Tragedies, College English, 1944.
0.20 Joseph Axelrod, A Freshman Discussion Session on "the Misanthrope", College English, 1946.
0.20 Horst Frenz, American Drama and World Drama, College English, 1945.
0.20 Sidney L. Gulick_ Jr., Was "Shakespeare" a Woman?, College English, 1954.
0.20 Paul N. Siegel, In Defense of Bradley, College English, 1948.
0.20 Charles D. Stewart, Four Shakespearean Cruxes, College English, 1948.
0.20 Richard M. Eastman, Drama as Psychological Argument, College English, 1958.
0.20 Robert E. Knoll, How to Read The Alchemist, College English, 1960.
0.20 Ann Louise Hentz, Hamlet: The Anatomy of a Task, College English, 1966.
0.20 Walter F. Eggers_ Jr., Inductions to Drama, College English, 1979.
0.20 Eben Bass, Falstaff and the Succession, College English, 1963.
0.20 Lodwick Hartley, Claudio and the Unmerry War, College English, 1965.
0.20 Louis Marder, Shakespeare's 400th Anniversary: Suggestions for Commemorative Programs and Activities, College English, 1964.
0.20 Robert Carl Johnson, A Reply to Mr Weitzel, College English, 1976.
0.19 Lawrence E. Bowling, The Theme of Natural Order in "The Tempest", College English, 1951.
0.19 Matthew Proser, Coriolanus: The Constant Warrior and the State, College English, 1963.
0.19 Warren Taylor, The Uses of Shakespeare, College English, 1941.
0.19 Thomas J. Taylor, Cumberland Kotzebue Scribe Simon: Are We Teaching the Wrong Playwrights?, College English, 1981.
0.19 Charles A. Pennel, On Introducing Shakespeare: Richard III, College English, 1965.
0.19 Thomas D. Bowman, A Further Study in the Characterization and Motivation of Iago, College English, 1943.
0.19 Robert Withington, Why Put Freud into Hamlet?, College English, 1949.
0.19 E. J. West, A Plea for a Theater of Gusto, College English, 1951.
0.18 C. L. Barber, Shakespearian Comedy in the Comedy of Errors, College English, 1964.
0.18 Richard A. Levine, The Tragedy of Hamlet's World View, College English, 1962.
0.18 Bruce King, Dryden's Intent in All for Love, College English, 1963.
0.18 Charles Edward Eaton, The Enfabled Nude, College English, 1978.
0.18 Robert R. Hellenga, The Known Facts about Hamlet: Response to Alma Blinn Hill, College English, 1974.
0.18 Richard Foster, Wilde as Parodist: A Second Look at the Importance of Being Earnest, College English, 1956.
0.18 Harold C. Goddard, Hamlet to Ophelia, College English, 1955.
0.18 Rufus A. Blanshard, Shakespeare's Funny Comedy, College English, 1959.
0.18 Otto Reinert, Satiric Strategy in the Importance of Being Earnest, College English, 1956.
0.18 Robert Withington, What 'War of the Theatres'?, College English, 1948.
0.18 Foster Provost, On Shakespeare's Sonnet 116, College English, 1956.
0.18 Robert Palfrey Utter_ Jr., In Defense of Hamlet, College English, 1950.
0.18 Katherine Haynes Gatch, "The Real Sorrow of Great Men": Mr Bernard Shaw's Sense of Tragedy, College English, 1947.
0.18 Vivian C. Hopkins, "The Iceman" Seen through "The Lower Depths", College English, 1949.
0.17 George R. Kernodle, England's Religious-Drama Movement, College English, 1940.
0.17 Richard D. Altick, The Marvelous Child of the English Stage, College English, 1945.
0.17 Abraham Blinderman, I Actually Know Not Too Much on Shakespeare, College English, 1975.
0.17 U. C. Knoepflmacher, The Humors as Symbolic Nucleus in Henry IV Part I, College English, 1963.
0.17 Doris B. Garey, Letter to the Editor, College English, 1955.
0.17 Lawrence F. McNamee, New Horizons in the Teaching of Shakespeare, College English, 1962.
0.17 Elliot Krieger, Shakespearean Crossroads: Teaching Shakespeare through Induction, College English, 1977.
0.17 Henry Popkin, American Theater in Transition, College English, 1962.
0.17 John Gassner, Bernard Shaw and the Making of the Modern Mind, College English, 1962.
0.17 Elias Schwartz, On the Quarrel Scene in Julius Caesar, College English, 1958.
0.16 Morse Peckham, What Did Lady Windermere Learn?, College English, 1956.
0.16 Katherine Stockholder, Power and Pleasure in Troilus and Cressida or Rhetoric and Structure of the Anti-Tragic, College English, 1969.
0.16 Elias Schwartz, The Shackling of Accidents: Antony and Cleopatra, College English, 1962.
0.16 Ivo Kamps, Possible Pasts: Historiography and Legitimation in Henry VIII, College English, 1996.
0.16 Elizabeth R. Jacobs, Shakespeare without Fears, College English, 1954.
0.16 Robert R. Hellenga, Hamlet in the Classroom, College English, 1973.
0.16 Carolyn R. S. Lenz, Drama in the Classroom, College Composition and Communication, 1976.
0.16 S. Nagarajan, Comment for Harriet Hawkins, College English, 1975.
0.16 Roy L. Weitzel, Trying for the Apprehension of Literature: Shakespeare and the Uses of Our Imagination, College English, 1975.
0.16 Elias Schwartz, Detachment and Tragic Effect, College English, 1956.
0.16 Ira Grushow, Brave New World and The Tempest, College English, 1962.
0.16 Winn F. Zeller Johann T. Reich, Emotional Interpretation-New Plays for Old, College English, 1940.
0.16 Minas Savvas, King Lear as a Play of Divine Justice, College English, 1966.
0.16 Kenneth Thorpe Rowe, Playwriting in the Liberal-Arts Curriculum, College English, 1939.
0.16 Marion Montgomery, Romantic Realism, College English, 1963.
0.15 Simon O. Lesser, Act One Scene One of Lear, College English, 1970.
0.15 James V. Baker, An Existential Examination of King Lear, College English, 1962.
0.15 Marchette Chute, Chaucer and Shakespeare, College English, 1950.
0.15 Thomas J. Taylor, Problems of the Postscriptive Text, College English, 1979.
0.15 Annette T. Rottenberg, The Early Love Drama, College English, 1962.
0.15 A. L. Laufe, Naturalism in the Raw Is Seldom Mild, College English, 1940.
0.15 John C. McCloskey, The Motivation of Iago, College English, 1941.
0.15 Charles F. Duncan_ Jr., A Blackboard Model of Shakespearean Irony, College English, 1973.
0.15 Samuel Weingarten, The Name of King in Richard II, College English, 1966.