music musical pitch notes note notation computer melodic encoding time duration darms representation interval score analysis intervals figure system

0.61 P. Howard Patrick Karen Strickler, A Computer-Assisted Study of Dissonance in the Masses of Josquin Desprez, Computers and the Humanities, 1978.
0.59 P. Howard Patrick, A Computer Study of a Suspension-Formation in the Masses of Josquin Desprez, Computers and the Humanities, 1974.
0.50 , Music in Machine-Readable Form, Computers and the Humanities, 1972.
0.41 P. Howard Patrick Patricia Friedman, Computer Printing of Braille Music Using the IML-MIR System, Computers and the Humanities, 1975.
0.39 Charles G. Boody Johannes Riedel, A Computer Aided Study of Ecuadorean Urban Music, Computers and the Humanities, 1981.
0.39 David A. Stech, A Computer-Assisted Approach to Micro-Analysis of Melodic Lines, Computers and the Humanities, 1981.
0.38 Hélène CharnasséBernard Stépien, Automatic Transcription of Sixteenth Century Musical Notations, Computers and the Humanities, 1986.
0.38 M. W. A. Smith, Virtuoso Pianism from the QWERTY Keyboard: The Electronic Realization of Liszt's Scores, Computers and the Humanities, 1995.
0.37 Alan Marsden, Representing Melodic Patterns as Networks of Elaborations, Computers and the Humanities, 2001.
0.36 Jacqueline Jones Don Scarborough Benjamin Miller, GTSIM: A Computer Simulation of Music Perception, Computers and the Humanities, 1993.
0.36 Haruhiro Katayose Seiji Inokuchi, Learning Performance Rules in a Music Interpretation System, Computers and the Humanities, 1993.
0.36 , Abstracts and Brief Notices, Computers and the Humanities, 1973.
0.36 Harry B. Lincoln, , Computers and the Humanities, 1977.
0.35 Anthony B. Wolff, Problems of Representation in Musical Computing, Computers and the Humanities, 1977.
0.35 M. W. A. Smith, A Relational Database for the Study and Quantification of Tempo Directions in Music, Computers and the Humanities, 1994.
0.34 Harry B. Lincoln, , Computers and the Humanities, 1978.
0.33 Donald Byrd, A System for Music Printing by Computer, Computers and the Humanities, 1974.
0.33 Martin Piszczalski Bernard A. Galler, Computer Analysis and Transcription of Performed Music: A Project Report, Computers and the Humanities, 1979.
0.33 Harry B. Lincoln, , Computers and the Humanities, 1976.
0.31 James W. Beauchamp, Letter to the Editor: Music by Computers, Computers and the Humanities, 1971.
0.31 Lawrence F. Bernstein Joseph P. Olive, Computers and the 16th-Century Chanson: A Pilot Project at the University of Chicago, Computers and the Humanities, 1969.
0.31 N. P. Carter R. A. Bacon T. Messenger, The Acquisition Representation and Reconstruction of Printed Music by Computer: A Review, Computers and the Humanities, 1988.
0.30 Brian Henderson-Sellers David Cooper, Has Classical Music a Fractal Nature?: A Reanalysis, Computers and the Humanities, 1993.
0.30 David Bainbridge Tim Bell, The Challenge of Optical Music Recognition, Computers and the Humanities, 2001.
0.30 Harry B. Lincoln, Use of the Computer in Music Research: A Short Report on Accomplishments Limitations and Future Needs, Computers and the Humanities, 1974.
0.29 Arthur Mendel, Some Preliminary Attempts at Computer-Assisted Style Analysis in Music, Computers and the Humanities, 1969.
0.28 Gary Wittlich Donald Byrd Rosalee Nerheim, A System for Interactive Encoding of Music Scores under Computer Control, Computers and the Humanities, 1978.
0.28 William McGee Paul Merkley, The Optical Scanning of Medieval Music, Computers and the Humanities, 1991.
0.27 Harry B. Lincoln, The Thematic Index: A Computer Application to Musicology, Computers and the Humanities, 1968.
0.27 Ronald E. Prather R. Stephen Elliott, SML: A Structured Musical Language, Computers and the Humanities, 1988.
0.27 David S. Prerau, DO-RE-MI: A Program That Recognizes Music Notation, Computers and the Humanities, 1975.
0.27 Raymond F. Erickson, "The Darms Project": A Status Report, Computers and the Humanities, 1975.
0.27 Susan Strapac, MUSICOMP 76, Computers and the Humanities, 1976.
0.26 Don Cantor, A Computer Program That Accepts Common Musical Notation, Computers and the Humanities, 1971.
0.26 Robert E. Frankel Stanley J. Rosenschein Stephen W. Smoliar, A LISP-Based System for the Study of Schenkerian Analysis, Computers and the Humanities, 1976.
0.26 Tor Sverre Lande Arvid O. Vollsnes, Object Oriented Music Analysis, Computers and the Humanities, 1994.
0.25 Stefan M. Kostka, Recent Developments in Computer-Assisted Musical Scholarship, Computers and the Humanities, 1971.
0.25 Barry Truax, The Computer Music Facility at Simon Fraser University, Computers and the Humanities, 1985.
0.25 Emilios Cambouropoulos Tim Crawford Costas S. Iliopoulos, Pattern Processing in Melodic Sequences: Challenges Caveats and Prospects, Computers and the Humanities, 2001.
0.25 John Rothgeb, Some Early Efforts in Computational Musicology, Computers and the Humanities, 1971.
0.24 Harry B. Lincoln, The Current State of Music Research and the Computer, Computers and the Humanities, 1970.
0.24 Bernard Bel Bernard Vecchione, Computational Musicology, Computers and the Humanities, 1993.
0.24 Joseph Youngblood, Letter to the Editor: Computer Music, Computers and the Humanities, 1972.
0.23 Sydney Alonso Jon H. Appleton Cameron Jones, A Special Purpose Digital System for Musical Instruction Composition and Performance, Computers and the Humanities, 1976.
0.22 Hubert S. Howe Jr., Composing by Computer, Computers and the Humanities, 1975.
0.22 Hubert S. Howe Jr., Letter to the Editor: Computer Music, Computers and the Humanities, 1972.
0.22 Benjamin Suchoff, Computerized Folk Song Research and the Problem of Variants, Computers and the Humanities, 1968.
0.22 Alan Smaill Geraint Wiggins Mitch Harris, Hierarchical Music Representation for Composition and Analysis, Computers and the Humanities, 1993.
0.22 Nigel Nettheim, On the Accuracy of Musical Data with Examples from Gregorian Chant and German Folksong, Computers and the Humanities, 1993.
0.21 Dorothy Gross, , Computers and the Humanities, 1976.
0.21 Edmund A. Bowles, Musicology and Computers, Computers and the Humanities, 1970.
0.20 Hubert S. Howe Jr., The Chaotic State of Computer Music, Computers and the Humanities, 1970.
0.20 Allen Forte, Music and Computing: The Present Situation, Computers and the Humanities, 1967.
0.20 Marian W. Cobin, Musicology and the Computer in New Orleans, Computers and the Humanities, 1967.
0.20 M. A. Crerar, Elements of a Statistical Approach to the Question of Authorship in Music, Computers and the Humanities, 1985.
0.20 David A. Gomberg, A Computer-Oriented System for Music Printing, Computers and the Humanities, 1977.
0.20 Michael A. Arenson, Computer-Based Instruction in Musicianship Training: Some Issues and Answers, Computers and the Humanities, 1984.
0.19 Don Byrd, Letter to the Editor, Computers and the Humanities, 1976.
0.19 Fred T. Hofstetter, The Nationalistic Fingerprint in Nineteenth-Century Romantic Chamber Music, Computers and the Humanities, 1979.
0.19 Nicholas Carter, MusicProse, Computers and the Humanities, 1992.
0.18 Walter B. Hewlett Eleanor Selfridge-Field, Computing in Musicology 1966-91, Computers and the Humanities, 1991.
0.18 Michael Ramey, Comparative Studies of Musical Instruments, Computers and the Humanities, 1976.
0.18 John Rothgeb, Musical Research by Computer: Some Current Limitations, Computers and the Humanities, 1971.
0.18 Murray Gould, An Introduction to Computing in Music, Computers and the Humanities, 1968.
0.18 Franklin B. Zimmerman, Computer Music, Computers and the Humanities, 1972.
0.18 Ilya Shmulevich Olli Yli-Harja Edward Coyle Dirk-Jan Povel Kjell Lemström, Perceptual Issues in Music Pattern Recognition: Complexity of Rhythm and Key Finding, Computers and the Humanities, 2001.
0.17 Armando Dal Molin, A Terminal for Music Manuscript Input, Computers and the Humanities, 1978.
0.17 Pierre-Yves Rolland, Introduction: Pattern Processing in Music Analysis and Creation, Computers and the Humanities, 2001.
0.17 William C. Rorick, , Computers and the Humanities, 1984.
0.16 Hubert S. Howe Jr., , Computers and the Humanities, 1980.
0.16 Antonio Camurri Marcello Frixione Renato Zaccaria, A Music Knowledge Representation System Combining Symbolic and Analogic Approaches, Computers and the Humanities, 1993.